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Eduardo CastellanoAI Engineer
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For filmmakers, producers and series creators

I’m Eduardo. I take your film from idea to premiere.

Screenplays, storyboards, generated shots, editing, sound and premiere material.

Request a proposalOrder / Negotiate

Some accounts come with a surprise.

  • You approve every stage
  • AI-made material is labeled
  • English and Spanish

Illustrative frame · AI-generated imageSample film

From idea to premiere

Four stages of your film, one place to direct them.

Negotiable price: tell me what you need and I’ll quote you. I deliver fast and in volume.

Each stage has its own panel in your account: you open it, review what is ready and decide what comes next.

  1. 01Develop and planTreatment, screenplay, pitch deck, breakdown, budget and call sheets.
  2. 02Storyboard and shotsStoryboard, animatic, camera previs, generated shots, sets, effects and characters.
  3. 03Cut, sound and deliveryEditing, titles, subtitles, dubbing, score, restoration and masters.
  4. 04Premiere and festivalsPoster, press kit, website, teaser, festival kit and release report.

01 · Develop and plan

I turn your idea into pages you can pitch and shoot.

A treatment, a screenplay in industry format or a pitch deck for funds and producers. Then the breakdown, budget and call sheets your crew works from.

  • Authorship in your name. A feature is written in deliveries, with the same character bible.
  • Adapting someone else’s work? Its adaptation rights come first.
  • Planning, not logistics. Third-party rates and times are flagged for you to confirm.

Eduardo presentsIllustrative example · choose a step

Project · new shortIllustrative example

You · voice noteA woman waits on a cliff for someone who promised to come back with the tide. A 10-minute short, melancholic.

  • Short film
  • Dramatic
  • Scope 2.39:1
  • Spanish

I’ll draft a treatment of up to 10 pages. You read it before the screenplay starts.

The Tide · Treatment · v1Illustrative example

A lighthouse keeper’s daughter waits for a promise the sea has already broken.

  1. Act IMara receives a letter and climbs to the cliff every dusk.
  2. Act IIThe village moves on; she keeps the lighthouse lit one more night.
  3. Act IIIShe lets the letter go, and the light finally goes out.

The Tide · Screenplay · draft 23.

EXT. CLIFF ABOVE THE SEA – DUSK

Wind tears at the grass. MARA (30s), red coat, stands at the edge with a letter in her hand.

MARA

(quietly)

He said he’d come back with the tide.

She lets the letter go. It climbs, then vanishes into the light.

Approved · v3Authorship: you

Illustrative example

Fictional film and text, written as an example.

Pages ready to pitchIllustrative example · AI-generated image

Services in this stage

DevelopmentFrom the first idea to pages you can pitch.4 options
Synopsis or treatmentUp to 10 pages from your ideaYour idea shaped into a story with structure, characters and tone. Adapting someone else's work requires its adaptation rights.Order / Negotiate No account: by email
ScreenplayUp to 10 pages per deliveryScreenplay in industry format. A feature is written in deliveries, with the same character bible and the authorship in your name.Order / Negotiate No account: by email
Pitch deck and lookbook12 slides and a visual conceptTo present your project to funds, producers or festivals, with visual references you are allowed to use.Order / Negotiate No account: by email
10-page screenplay or treatmentUp to 10 pages, screenplay or treatmentYou choose whether these pages move the treatment or the screenplay forward.Order / Negotiate No account: by email
Production planningTurn the script into scenes, costs, shoot days and permissions.5 options
Script breakdown10 pages into scenes, resources and tasksCharacters, locations, props and tasks for each scene. It helps you plan; physical logistics stay with your crew.Order / Negotiate No account: by email
Budget and scheduleOne sequence with a cost scenarioCost estimate and schedule for one sequence. Third-party rates and times are flagged for confirmation.Order / Negotiate No account: by email
Call sheetOne shoot day from confirmed detailsTimes, locations, scenes and contacts for the day. Nobody is called without their permission.Order / Negotiate No account: by email
Eduardo tracking20 shots with versions and decisionsEach shot with its status, version and approval. Quoted by the size of the project.Order / Negotiate No account: by email
Rights clearance file10 assets and their permissions checklistInventory of image, voice, music and location permissions. Signatures and legal judgment stay with your lawyer.Order / Negotiate No account: by email

02 · Storyboard and shots

Every shot drawn before anything is produced.

Frames with framing, action and continuity, then the animatic to approve the pacing. Once the boards are approved, the shots, sets and effects follow the same plan.

  • Approve before production. You check each frame before a second is generated.
  • Characters stay the same. A continuity sheet anchors every shot; a real person’s likeness needs their consent.
  • Changes go shot by shot. Only the frame you mark is adjusted.

Eduardo presentsIllustrative example · choose a step

Illustrative frames made from AI-generated images. Generated material is labeled.

Services in this stage

Storyboard and previsSee and approve every shot before production.4 options
Storyboard20 frames of one sequenceEvery shot with framing, action and continuity, ready to approve before production.Order / Negotiate No account: by email
Animatic30 seconds from an approved storyboardThe storyboard in motion with a temporary voice, to approve the pacing before the final version is produced.Order / Negotiate No account: by email
Camera previs4 camera views of a scene you provideCamera positions, lenses and moves over your scene in 3D. Quoted after reviewing the geometry, licences and level of detail.Order / Negotiate No account: by email
10-frame storyboard10 frames of one sequenceEvery shot with framing, action and continuity, ready to approve.Order / Negotiate No account: by email
Shots, sets and effectsNew shots, sets, effects and characters that stay consistent.4 options
Generated shots15 final seconds from your referencesNew shots that keep your film's continuity. The final delivered duration is what counts.Order / Negotiate No account: by email
Virtual setOne simple 3D setA 3D space for your shots, built with licensed assets. It is not a physical set; quoted by level of detail.Order / Negotiate No account: by email
Visual effects shot5 seconds with the agreed effectCompositing, rotoscoping or simulation on one shot. Quoted by technique before work begins.Order / Negotiate No account: by email
Character continuity sheet5 references of the same characterA reference sheet so the character looks the same in every shot. A character based on a real person needs their consent.Order / Negotiate No account: by email

03 · Cut, sound and delivery

Review the cut and mark the exact second.

Your footage or the approved scenes, edited with titles, subtitles, voices and music. You watch each version, leave a note on the second it applies to and approve the master.

  • Notes on the second. Only the shot you mark is adjusted.
  • Your timeline, when the format allows it. You keep the editable project.
  • One master per destination, with its codec, loudness and checklist.

Eduardo presentsIllustrative example · choose a step

Illustrative screen with a fictional film.

Services in this stage

Editing and finishingFrom your footage or approved scenes to a finished cut.4 options
Assembled short60 seconds from approved scenesShots, editing, voice and music in a one-minute short. Each shot is approved before the final cut.Order / Negotiate No account: by email
Footage edit5 minutes from up to 30 minutes of footageAn edit of the footage you shot. When the format allows it, you also get the editable timeline.Order / Negotiate No account: by email
60 seconds of animated typographyOrder / Negotiate No account: by email
Restoration and upscale30 seconds of archive footageClean-up and resolution upgrade for older footage. Quoted by final resolution.Order / Negotiate No account: by email
Sound and languagesSubtitles, voices, music and clean audio.4 options
Subtitles and captions5 minutes in SRT or VTTSynced subtitles, with names and terms checked.Order / Negotiate No account: by email
Dubbing and localization5 minutes into another languageTranslation and licensed voices in another language. Lip sync and voices are quoted first.Order / Negotiate No account: by email
Audio separation and repair5 minutes of a mixed trackSplits dialogue, music and effects, or cleans up noise. Quoted by the work needed and the audio's rights.Order / Negotiate No account: by email
Original score2 minutes of synced musicOriginal music licensed for audiovisual use. Quoted by licence and where the film will be shown.Order / Negotiate No account: by email
Delivery and archiveThe files each destination asks for, in order.3 options
Channel versions3 cuts of a 60-second masterYour cut adapted to vertical, square or widescreen, with safe areas and subtitles.Order / Negotiate No account: by email
Technical masterOne version with its checklistFinal file with the codec, loudness and format the destination asks for, with its verification.Order / Negotiate No account: by email
Project archiveOne project with its manifestTimeline, assets and licences organized to resume or hand over. Quoted by formats and storage.Order / Negotiate No account: by email

04 · Premiere and festivals

Poster, teaser and festival kit, ready to show your film.

  • Nothing is published without your approval. Paid media is budgeted separately.
  • Festivals decide. Fees, submission and selection depend on each one.
  • The domain and the material are yours.

Eduardo presentsIllustrative example · choose a step

  • Festival kit · one festivalSynopsis and logline
  • Stills and poster
  • Press kit · 10 pages
  • Subtitled screener
  • Fee and submission · you approve

Illustrative example with AI-generated images and a fictional film. It does not represent a real release or selection.

Services in this stage

Premiere and festivalsEverything to announce, submit and show your film.4 options
Poster and press kitOne poster and a 10-page press kitOrder / Negotiate No account: by email
Film website5 sections with trailer and kitSynopsis, trailer, crew, press and contact on its own site. The domain and the material are yours.Order / Negotiate No account: by email
Teaser and campaign15 seconds and a release calendarA short teaser with its calendar. Paid media is budgeted separately and nothing is posted without your approval.Order / Negotiate No account: by email
Festival submission kitDetails, materials and checklist for one festivalEverything ready to submit your film. Fees, submission and selection depend on the festival.Order / Negotiate No account: by email
Results and continuityWhat happened after release, and the website kept running.2 options
Release report3 sources and next stepsWhat happened on your channels after release and what to do next. Quoted by the accounts you connect.Order / Negotiate No account: by email
Website maintenanceOne site for 30 days: monitoring, patches and backupsQuoted by access, scope and recovery plan. Restores are tested in a staging environment first.Order / Negotiate No account: by email

How it works

You decide at every stage. I prepare the next one.

Eduardo

Tell me the idea, the length and the tone. I’ll prepare the first stage for you to approve.

  1. 01 · You ask

    Tell Eduardo what you want by voice, text or files.

  2. 02 · I make it

    Illustrative walkthrough · choose a step

  3. 03 · You get it ready

    Approve each stage inside your project and find every delivery in its panel.

    • “Turn my idea into a ten-minute short.”Treatment, storyboard and animatic, approved one stage at a time.
    • “Edit what we shot last weekend.”A five-minute cut from your footage, with notes on the exact second.
    • “Get us ready for the festival.”Poster, press kit, teaser and the submission checklist.
  • Your authorshipScripts and films are written in your name; the material you bring stays yours.
  • Consent for real peopleA real person’s face or voice is used only with their permission.
  • Licensed music and assetsScore, voices and 3D assets come with a licence for their use.
  • AI, labeledMaterial made with AI is identified, and you approve it before it is shown.

Before you decide

Frequently asked questions

Who owns the film?
You do. Scripts and films are made with your idea and in your name, and the material you bring stays yours. Adapting someone else’s work requires its adaptation rights.
Can a real actor’s face or voice be used?
Only with that person’s consent. A character based on a real person needs their permission, and no one is imitated without it.
Is AI used?
Yes, in images, shots, voices and other pieces. Material made with AI is labeled, and you approve each stage before it moves on.
Can you guarantee a festival selection or a release?
No. We prepare the materials and the checklist; fees, submission and selection depend on each festival, and audiences depend on many factors outside our control.
Do I need my own software or equipment?
No. Production tools are part of the service. For a physical shoot, the logistics and crew remain yours; Eduardo plans and organizes.
A feature, a series or several episodes?
You can request a scope for the whole project, written and produced in deliveries. Tell me about it.
Request a proposal

Order it and we agree on the price.

Negotiable price: tell me what you need and I’ll quote you. I deliver fast and in volume.

Order / Negotiate → By email, no account

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